When the trailers for The Last Jedi
came out, a friend of mine said he was worried it would be a copy of Empire
Strikes back. I believed it
wouldn't. But when the movie began with
the resistance escaping a planet the First Order was trying to blockade, I
thought, "well, crap."
But here comes Poe, my favorite character. I was hoping there'd be some focus on him. I was even still on board as he began trolling Hux. I have to admit, I found it funny in the moment. Now, a lot of people have claimed that comedy has no place in Star Wars. That's ridiculous. First, the original films had plenty of humor in them, and even if they hadn't, it's meant to be a fun series. Humor has every right to be there.
But here comes Poe, my favorite character. I was hoping there'd be some focus on him. I was even still on board as he began trolling Hux. I have to admit, I found it funny in the moment. Now, a lot of people have claimed that comedy has no place in Star Wars. That's ridiculous. First, the original films had plenty of humor in them, and even if they hadn't, it's meant to be a fun series. Humor has every right to be there.
However, with every decision you pay
a price, particularly when you put comedy somewhere. In this instance, the comedy took away the
power of Hux and the First Order he represented. Imagine the same joke being used on Sauromon
in Lord of the Rings. You may laugh in
the moment, but the price you pay is ever feeling any fear for that villain
again. It's a basic cost-benefit
analysis which the writer didn't do.
I also want to point out one other
thing about the dialogue. The way Hux
speaks, he might as well be twirling a curled mustache. Star Wars has always been about good versus
evil, but there's a certain point where the evil has become so cliche it's a
parody of itself. The dialogue here is
more a view of what this sort of movie is supposed to be rather than having an
identity of its own. Compare this to the
evil ways people speak in Rogue One. The
characters give you chills without sounding like they're coming out of a
children's book. I'm disappointed that
this one didn't do the same.
What followed looked pretty
cool. It was clear that Poe saw an
opening as long as he destroyed the towers to make way for some bombers, and it
was neat to see just what a droid does to repair a ship; though that turned
into the droid essentially plugging holes like it was filling with water. But whatever, Poe gets rid of the towers,
supposedly making way for the bombers.
Next is something very strange. General Leia has ordered no attack to happen, and has been chastising Poe for going out there. But when he clears the last tower, the bombers are already on their way. There's no moment where someone says, "It's okay to go!" and they launch. They have that moment in Rogue One where the rebel base has said they're not going to support the team, but then they learn that the team has gone anyway and they're succeeding, so Mon Mothma and the others order the attack to go forward, and you see them launching. Here... it feels like that's missing.
Anyway, the rebel bombers launch and
the tie fighters go at them and rip them apart.
There's a bit to unpack here, so let me pause a moment. First, I want to commend Rian Johnson for
having A wings and a new type of bomber here. He recognized there were more ships than just
X-wings and tie fighters, and that there should be new ships. He also understood that Star Wars ship
battles are supposed to have a World War II feel to them, so he made the
bombers much like Flying Fortresses.
However, there's one thing he didn't
quite understand. The fighter battles
had always felt like a World War II
battle, they weren't right on the nose like these bombers. Granted, the other ships don't fight the way
they would in space; to get a better idea of what that would be like see the
remake of Battlestar Galactica. But the
Star Wars ships always had a sort of compromise between WWII fighters and space
ships. These bombers, straight up Flying
Fortresses; slow, cumbersome, and they have to get directly over the target to
drop their bombs.
And it turns out taking out those
gun towers did no good whatsoever. Look,
I understand if the towers would make it harder, but if everything gets
destroyed by fighters anyway, what was the point of taking out the towers at
all. It's not like Poe wouldn't know
that there were fighters on the capitol ships.
As far as dropping the payload, I
realize there are all sorts of arguments about there being no gravity, maybe
it's the artificial gravity that shoots them out, they're magnetized,
whatever. First, I guarantee you Rian
Johnson did not think about it that deeply.
By this point it's already clear he's going with the "good ol'
fashion" style of storytelling where you're not supposed to ask. To be fair, that's been in Star Wars for a
long time. There are plenty of aspects
of the original series that people have always joked about. Here, though, it was inadvisable because it
was so over the top in its illogic, and it would have been so easy to get
around that. Simply have it be short
range missiles that they have to be close to fire, or have someone say drop the
magno bombs or something. Such an easy
fix would have avoided a big controversy.
After the dreadnought is destroyed, there's a scene I really like. Snoke calls Hux and his big head appears as a hologram above him. Not only is this image intimidating, but he then slides Hux around the room, revealing just how powerful he is. Between these effects and Andy Serkis's wonderful performance, they're really setting up Snoke to be a frightening villain.
In
fact, there are a number of performances I'm really liking here, including
Carrie Fisher's daughter, who I'd like to see more. It's all of this great talent that I feel has
gone to waste. It's the biggest missed
opportunity since Star Trek 5.
After the dreadnought is destroyed, there's a scene I really like. Snoke calls Hux and his big head appears as a hologram above him. Not only is this image intimidating, but he then slides Hux around the room, revealing just how powerful he is. Between these effects and Andy Serkis's wonderful performance, they're really setting up Snoke to be a frightening villain.
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