I'll be going to Wondercon again this weekend, and this time I'm doing things a little differently.
Rather than getting a booth and trying to sell books that way, I've got a big table in the gaming area. The main presentation there will, of course, be the Relic Worlds miniatures game, Relic Worlds Showdown. The setup I made for this with the big volcano and everything (Breakup Mountain) always gets the most attention, so it's probably the best thing to grab attention for the series as a whole.
So I'll be putting on the game, but I'll also have flyers, and copies of the books. I probably can't sell them since I don't have a booth, but I learned a while ago that I never make a profit at these conventions; it's about exposure. So the whole point will be to get attention and to hand out flyers to get people into the Relic Worlds series.
Since part 1 of book 3 will have just released, I'm giving out business card sized flyers with a link for readers to download it for free. Book 1 will also be available for free on Amazon Kindle that weekend as well, so there will be flyers for where they can find that as well.
And there will be presentations of the game all day, which recently released, and it more or less premiering at that convention.
If you're there, drop by our presentation in the game area. You won't be able to miss the giant volcano!
Showing posts with label Sci fi convention. Show all posts
Showing posts with label Sci fi convention. Show all posts
Wednesday, March 21, 2018
Sunday, November 27, 2016
Still Promoting at Conventions I Can't Make
The main reason I went to the Alamo City Comic Convention was because someone I met told me that you can make more money at conventions in Texas than anywhere else. "Texans will buy anything," he said. I needed that sort of a break, so I looked into getting a booth at the Alamo City Comic Con. I chose that one because it's near Austin where my uncle lives, and I've been wanting to show Austin to my girlfriend Jamie for a while now.
When I saw the price of the booths, I was taken aback. $600. I looked for a small press area, and there was none. I looked around at other conventions and it was the same story. It seems Wondercon is unique in having a small press section for independent artists. It's really a pity because I can't see us independent authors making back $600 plus all the other expenses.
I tried to get a list of vendors who would be at the event, but the website was never updated with their names. (It said 'vendor list coming soon' all the way up to two weeks before the event, at which point I stopped looking.) By this time I already had a plane ticket to Austin and Rotary club talks scheduled for another one of my books, so I just went and got a badge to the convention.
I met several vendors, all of whom said they maybe just barely make their money back, and that it's really about exposure. I suggested the idea of renting table space from them next year, and a couple of them seemed to like the idea. One of them called it "sublet renting." I'm going to try it at that convention. I'm also going to see about hiring a model to cosplay at the front and hand out flyers, and also offer a giveaway to attendees if they write down their email addresses. This might be a good way to proxy myself into these conventions that are too expensive for me to go to.
Before I left the convention, I set out a bunch of flyers in the common area. This only worked slightly as I got five new views the day I put them out, all of them around 7 pm, soon after the convention ended. So the tiny spike was probably from that, but it wasn't enough to justify going out of my way for it. I'm really coming to believe that the best solution is anything that involves building the mailing list where I can be certain to personally send people things rather than counting on them to check out my projects.
When I saw the price of the booths, I was taken aback. $600. I looked for a small press area, and there was none. I looked around at other conventions and it was the same story. It seems Wondercon is unique in having a small press section for independent artists. It's really a pity because I can't see us independent authors making back $600 plus all the other expenses.
I tried to get a list of vendors who would be at the event, but the website was never updated with their names. (It said 'vendor list coming soon' all the way up to two weeks before the event, at which point I stopped looking.) By this time I already had a plane ticket to Austin and Rotary club talks scheduled for another one of my books, so I just went and got a badge to the convention.
I met several vendors, all of whom said they maybe just barely make their money back, and that it's really about exposure. I suggested the idea of renting table space from them next year, and a couple of them seemed to like the idea. One of them called it "sublet renting." I'm going to try it at that convention. I'm also going to see about hiring a model to cosplay at the front and hand out flyers, and also offer a giveaway to attendees if they write down their email addresses. This might be a good way to proxy myself into these conventions that are too expensive for me to go to.
Before I left the convention, I set out a bunch of flyers in the common area. This only worked slightly as I got five new views the day I put them out, all of them around 7 pm, soon after the convention ended. So the tiny spike was probably from that, but it wasn't enough to justify going out of my way for it. I'm really coming to believe that the best solution is anything that involves building the mailing list where I can be certain to personally send people things rather than counting on them to check out my projects.
Wednesday, June 22, 2016
Sci Fi and Comic Book Conventions I Want to Attend
I’ve
been talking recently about what worked and what didn’t when I released book 2
of the Relic Worlds series; and more importantly, what I learned. In one weekend I released book 2, presented
the Relic Worlds series at Wondercon, and gave away book 1 in a KDP Select free
promotion. The result was not a lot of
immediate sales, but a lot of people who are now following the series.
As
a result, I’ve begun to plan for more online promotions on Facebook and Twitter,
I’m doing a newsletter campaign on Mail Chimp, and I’ll be doing another free
book promotion in conjunction with the second book having a countdown
deal. These are all the online plans,
and the other half of the equation is networking in person. This is best accomplished by going to
conventions, so I’ve made a list of the conventions I plan to go to.
I
was told that Texans will buy anything.
In fact, I was told that Dallas has the best sales rate of any comic
book/sci fi and fantasy convention in the country. Denver is apparently a close second. I’ve decided to make my trips to these
conventions coincide with trips my girlfriend and I want to take, and since we
want to see Austin, I’ve decided my next convention will be Alamo City, which
takes place in San Antonio, (just an hour’s drive from Austin.) San Antonio supposed to be a pretty
fascinating city itself, so I’m looking forward to that one.
I
plan to keep Wondercon as sort of my “home base” if you will, building a
regular following there while I travel to other places just once each to build
my following. I also want to attend
Emerald City, which is in Seattle, and Chicago’s C2E2 Pop Culture convention. Unfortunately, both of those are right around
Wondercon, and that might be too much intensity in too short a time, (not to
mention the expense.) So I might only do
one of those two. Finally, I want to do
New York Comic Con, though that might be way too expensive. However, it’s the largest Comic Book
convention, even larger than San Diego Comic Con, so it might be worth it. Or it might just swallow a small project like
mine up whole. Maybe I should do that
one a little further down the line.
I’m
also looking at Sac Con, which is in Sacramento, and Nerd Con in San Diego,
since they’d be close. I did Loscon, and
they want me back, but SO FEW of the people at that convention go into the
dealer’s room that it’s not really worth it.
I’ll
be looking at more conventions, and I’ll be going to as many as I can afford.
http://alamocitycomiccon.com/
http://alamocitycomiccon.com/
Wednesday, June 1, 2016
My Wondercon Experience - Saturday
Saturday
is always the biggest day at any of these conventions, so I pulled out all the
stops. I had two volunteers: Laura and
Rachel, who took care of the booth. I
also had two models who I had hired to walk around the front area in
costume. I did this because I had
noticed that tons of photographers take pictures of cosplayers who look
great. I wanted to take advantage of
this, and am I ever glad I did. The
costumes cost a couple hundred dollars, and so did the models, but they really
grabbed attention. They had just arrived
and I had just given them the flyers to give out when there a line of
photographers formed. Before I left,
they were literally mobbed by photographers as though they were
celebrities. I had intended for them
just to give out business cards and/or flyers to select photographers when they
felt it would be beneficial, but they went above and beyond, giving out flyers
every time, and sometimes to non-photographers.
They got really excited about the characters and posed in
character. And they even posed with the
books. They were phenomenal, and I
realized I had gotten my money’s worth.
To
be clear, I didn’t not make a profit off of them. Laura and Rachel were selling books upstairs,
(far more than I sold all day Friday,) but the sales didn’t come close to the
$400 I put into the models and their costumes.
But that wasn’t the point of Saturday or the convention in general. It was to get attention, and I definitely got
it. At one point I passed someone who
was talking about our models when we weren’t anywhere around them. At another time I saw someone in a different
part of the convention who asked if I was the one with the volcano. People were getting to know who we were, and
they were beginning to learn the name Relic Worlds.
I
had also signed up to put on a game in the gaming area during the day. This one was actually in the convention
center, so taking the miniatures was much easier. This once again got a lot of attention as
people saw me moving the volcano, and they got to see the whole, six foot
diorama set up. The best part was that
there was a slow moving line right next to the gaming area, and people kept
gawking at it. The game itself only had
a few kids, but a bunch of people took flyers because they wanted to learn
more.
Part
way during the day we started telling people that they could have a free drink
if they signed up for the mailing list, which went over well. We had twice as many people signed up than
completed the treasure hunt, so the mailing list grew. We also figured out how the booth itself
should look. (It helped to have a volunteer
who was a designer.) I learned that the
best look for me was to have all the books and flyers on one side of the table,
a diorama on the other side of the table, the horizontal banner at the front of
the table, and the two vertical banners of the books in the back, with the name
tag the convention provides hanging on the wall between them.
And
prominently displayed all on its own either in the middle, or on the far side,
is the all-important mailing list.
This
setup was one of the most important things I learned that day. I also learned that I need to have a separate
person to run a game if I do that, (which is a good idea because it spreads out
my exposure.) It’s also a worthwhile
expenditure to have cosplay models who catch a lot of attention at the front. But it’s important to not just have them in
the outfits of your story, but rather a mixture of something established, (one
was in the Princess Leia slave outfit and the other was in steampunk.)
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