Showing posts with label Vlog Brothers. Show all posts
Showing posts with label Vlog Brothers. Show all posts

Sunday, July 24, 2016

People Connect More to Video Than to Words

            It’s a painful thing to admit as a book writer, but there’s a reason why movies and television are more popular storytelling formats than any type of written material.  The reason is simply because visual mediums appeal to multiple senses; primarily sight and sound.  They more easily and effectively manipulate our emotions.  And, perhaps most importantly, they can be enjoyed in groups.  While reading a book or a short story is an intimate moment between reader and writer, visual productions can bring together multiple audience members at the same time and cause them to all feel the same thing at the same moment.
            An example of this is John Green of the Vlog Brothers on Youtube.  He speaks poetically and quite well about how reading is a shared experience between author and reader.  However, even he has to admit that his fame came not through his books, but through his program with his brother.  It was once the audience could see him, hear him, and get a sense of his feelings through his expressions that they connected with him, and wanted to know more about what he was writing.
            Books that have been made into movies always do better than before they were put on film.  Even though the movies ruin the endings and every secret in these books, people become curious about what’s in the book in addition to the film.  Not only is there a lot of free advertising, but once people have heard voices of the characters, even though it’s stolen away their ability to make their own voices, more readers flock to these books because they’ve had a more visceral connection.
            I’ve embraced this fact and started a few Youtube channels of my own.  They have, regrettably, been as unsuccessful as my writing and I struggle to get views.  But I do find it easier to get people to take a chance with one of my videos than it is to get people to take a chance on my writing.  Even trying to get people to read a free short story is a daunting task.

            I’ve become convinced that a healthy mix of these two mediums is the best chance for success.  The difficulty is in juggling my time with these two art forms.

Tuesday, October 21, 2014

Early Vlogbrothers

I've been going through the history of the Vlogbrothers videos.  I think their work is important to study for anyone doing independent work in any field, (although, ironically, John Green has been critical of self-publishing, which I think is a bit hypocritical since his success is due largely to independent video production.  But I guess that's TOTALLY different.)

Anyway, so I've gotten through all of 2007 when they began, and I started 2008.  It's interesting to note the number of viewers for each.  Though they run one of the most popular shows on Youtube, some of them don't have a huge number of viewers, particularly in these middle years when they didn't have a huge amount of attention yet, and they're not the beginning that people go back to see for nostalgic reasons.  But here is one that's a spike.  I find these spikes interesting because they show something that people have looked for or stumbled upon for whatever reason.


Sunday, June 8, 2014

The Fault in Our Stars & How Hank and John Green Changed the World of Media

With the ongoing success of The Fault in Our Stars this weekend, I think it would be a good idea to analyze how John Green and his brother Hank built an empire of entertainment and a vast community through independent means.  It was, after all, this built up community that is to thank for the success of the book and the movie, so it’s something to be studied by anyone who wants to see success in the growing world.

The first thing that’s important to note, even before I go into the history of the Vlog Brothers videos, is that they grew this big not by blatantly trying to grow big, or by shamelessly marketing; and most importantly, not by seeing what had been done before and following some sort of formula.  They honestly and earnestly set out to do something that interested them, and that they thought would be good for the world.  People latched onto that and respected it, and their community grew around them.

So on to their history, which I think will one day be studied in classes around the world.  It began on January 1st, 2007 when Hank Green posted a video for his brother John Green on the relatively new site Youtube.  Neither brother was well known, had any experience in film or television, and did not live in big cities generally deemed “important.”  They were just two young brothers who decided to speak to each other solely through video.  Hank started it with this upload:


He dared John to communicate every day, and if either faltered, the other would be able to decide on a punishment.  John responded, and the two began a dialogue every day with rules that included a short length, they had to talk about something they found interesting, and not much else.  They just had to do it on a regular basis.

They called it Brotherhood 2.0, recognizing this as a sort of 21st century type of family relationship of the high tech era.  They also began calling themselves and their fans “Nerdfighters,” not after people fighting against nerds, but nerds who are fighting against problems in the world.  Their numbers were a trickle at first, though they had a few more than someone starting today as the competition was nowhere near as fierce in those early days of Youtube.

John was the first to miss a day, and Hank sent it out to the few viewers to determine his punishment.  It would not involve any sort of physical pain, except to eat something that would be very unappetizing, and he had to do it on video.  When he posted it, the views climbed, as humor and childish pranks have a tendency to get more hits.  People continued to watch because their conversations were so interesting.  Hank and John are very curious people, and each video was them trying something new out.  They’re also very creative, and many of their videos involved some trick of cinematography or editing that would make any film school professor proud.

In fact, over the year they continued to grow due to a perfect mixture of policies.  I don’t believe they knew at the time this was the perfect formula for getting views, they just did it and turned out to be right.  They are:

Consistency:  By coming out with a video every day, people could rely on them and knew to tune in to see what they were doing.  This led to the number two biggest reason for their growth…

Quantity:  By having so many videos, they littered the internet, and people couldn’t help but run into them, especially when going on Youtube.  They were able to make so many videos because they kept them:

Low Budget and Easy to Produce:  By keeping the videos as blogs where they simply spoke to the camera, they were able to do one each day.  This lent itself to speed and quantity, and that large quantity also meant they had…

Many Key Words:  Each video had to be titled something, and they always titled it after the subject of their video.  They also put whatever they were mentioning in the metadata, and the description.  Fans also said things in the comments that drew key word searches to them.  The key words were also about…

Things People Wanted to See and Hear:  The brothers talked about things that were famous and big at the time, and also things that people wanted to learn about.  So, if you put in a search about Harry Potter because you were going to see the movie, you saw their video on the Google search.  If you wanted to learn how to stack cards, you’d find their video on stacking cards in the Google search.  They did this through their…

Charm and Charisma:  This is a trait they are naturally good at, but if anyone wanted to do the same, they would need to make sure they have the same sort of friendliness and likeability that gains viewers.  Speaking of which, they…

Involved the Viewers:  They asked questions of the viewers and sparked conversations among them.  This made people feel part of the conversation, and they even referred to things people were saying, which made them feel special.  Viewers could also get through a lot of the videos because they were…

Short and to the Point:  Making one of the rules that videos had to be under four minutes made it easy to go through lots of their videos, and made it less daunting to put them on in the first place.  Plus, it made them get right to the point, which made people stay on the video once they clicked on it.  No fancy graphics or credit sequences, just the video itself.

Most importantly, they have been positive, informative, and funny, the three most important things on the internet.

After the first year was done, they had enough viewers and enough fun doing it that they continued, despite the fact that it didn’t really bring in any money.  They just enjoyed it, and it was getting a following for John’s writing career and Hank’s musical career, so why not?  Plus, they were getting a lot of good friends out of it.  So they went on to the next year.

During that second year, Hank wrote a song about Harry Potter just before the movie Harry Potter and the Deathly Hallows came out.  The subject was, of course, on everyone’s mind because it was a hit movie based on a hit book.  The song was short, fun, and catchy, so when people found it on Google searches when they were intending to find information about the movie, they watched him.  To make matters even better, Youtube featured the song because of the movie’s popularity.  As such, the song became a hit, and people began flooding to Hank’s videos.  This made them automatically also flood to John’s videos, even if that wasn’t their interest.

This is where fate worked perfectly in their favor.  Many of the people who had come to Hank through Harry Potter were young book fans.  John wrote books for young fans.  These people immediately became drawn to John’s books, and became curious about his latest book, which was coming out soon.  This was The Fault in Our Stars.

John not only let the community in on his writing process, but he also made them a part of it.  Comments on the book at that time were read, and he commented back.  Fans found themselves becoming a part of the process, and felt validated by it.  Most importantly, they felt invested in it.

In fact, the book itself was inspired by one of the “Nerdfighters” who herself had cancer, Esther Grace, and who died from it.  John was so moved by her life and plight that he essentially made the lead character a fictitious version of her, and even made an Esther Grace day, which is now commemorated everywhere.  In doing this, he added to the formula the most important ingredient:

Helping Others and Sharing the Spotlight:  If we’re entertainers, we want the spotlight on us.  But ironically, the best way to do that in today’s world is to shine the spotlight on someone else.  Today’s technology works on Karma, and I mean that quite literally.  It’s not just a matter of what goes around comes around, there are two basic elements that go into supporting others comes around to supporting you:
                First of all the people you support will usually support you back, or they’ll find themselves supported by no one.  The more people you support, the more people will send their viewers to you, and your numbers will grow.
                Second, part of the formula of the Google search engine is to see how many links there are to your site.  So the more you link to other sites, the more Google notices you, and the more people will come to you.

Plus, it’s just the right thing to do.

I recently learned of someone who refused to place links to other people on his site because, in his words, “I don’t want people leaving my page.”  That man’s page is very lonely.

You see links in the Vlog Brothers videos and posts ALL the time.  This is one of the key elements that has kept them popular.

But most of all, there’s the honesty and integrity.  Hollywood and New York television stations, which have controlled entertainment for more than a century, is based on lies and deceit.  They have done this because it’s worked for them in the past, but what Hollywood producers and New York executives didn’t realize is that it worked because no one had any choice.  Once piracy came along on the internet, people were very willing to do it because they felt no pity for these millionaires who had ripped them off without caring about them, and who truly felt they were more important than the general public.

Anyone wanting into the film industry, myself included, I’m afraid, flocked to these studios and many conformed to their ways to be let in past the velvet rope.  A historic moment happened in John Green’s video Hitler & Sex in 2013 when John Green actually turned down a major television network to instead focus on Youtube.  Up to that time, people used Youtube as a means to an end, placing videos up there to get the attention of studios and networks.  But with this video he said that he only wanted to do things on Youtube, and he had no interest in the exploitive networks.  Here is the video:

What the producers at studios and networks have failed to realize is that people are huge fans of the Vlog Brothers specifically because of their integrity; the very thing these Hollywood and New York producers have shed in their constant pursuit of viewers.  They don’t realize that the very thing they’ve gotten rid of is the very thing that would bring them viewers, not turn them away.  As the Vlog Brothers started more shows with higher production values, such as Crash Course and Sci Show, their viewership has increased.  Instead of going after short gains by doing ridiculous episodes on aliens and the Nazi party that catch viewers initially, they produce videos that give real information.  This does not get viewers immediately, but it keeps them over time, and slowly grows.

As such, their types of productions will continue to grow.  As they do, these same producers and executives in Hollywood and New York who were consistently short sighted in the past will scratch their heads and wonder how they lost power to these young upstarts.  They’ll blame video piracy and lack of star power, as they always do, but, like an alcoholic who refuses to admit he’s got a problem, they’ll never recognize their own faults, and will lag behind until they disappear.


Thank you, Vlog Brothers, Hank and John Green, for helping to shape entertainment into a new golden age.

Sunday, April 6, 2014

The Real Independent video and Film Revolution

Yesterday I had the wonderful privilege of working with Geek & Sundry on their Tabletop Day Special.  It was a huge honor for me as a gamer, but more importantly, as an independent artist.  Even though this blog is intended to be about independent publishing, I’m going to talk today about independent videos on the web because it’s an important element to freelance writers, and more importantly, an important ingredient to independent publications and publicity.

When I first got into film, I wanted to be an independent artist.  I was excited about the whole idea of film festivals and private investors to make heartfelt movies by real artists.  What I found in my 20 years in the film industry was that none of this was true.  The festivals were, at best, “independent” with the word in quotation marks because, first, you couldn’t even get your movie accepted unless you had a celebrity in it, (and you could only get those celebrities in your film if you were part of the Hollywood system,) and aspiring filmmakers who tried to get into the activities of these festivals usually found themselves blocked out by red velvet ropes that separated them from the VIPs.  I found the whole process hypocritical.  There was very little difference between the “independent” scene and the studios.

There was a first internet revolution in the late ‘90s and early ‘00s.  Several production companies popped up and there was a central location for videos called iFilm.  At first, these were made up of independent artists excited about pressing the reset button to create a true independent video scene.  Unfortunately, the mentality of many of these places were the same as the studios and “independent” film places.  Some of these companies were even run by the same people.  iFilm itself put up their own red velvet rope by deciding to stop accepting videos they deemed “unworthy” and even kicked a lot of videos off.  One of my own, a short version of The Forgotten Grave, was one of them that was kicked off, even though it had won a competition within iFilm’s own company.

What really killed the first internet revolution was when major movie companies tried to create internet content.  They saw real independent work being done, and they wanted to control it, the way they had bought all the “independent” production studios in 1999 when they swept the Academy Awards.  The result of this attempted take-over was that content became stale, and the larger companies found that there wasn’t enough money in it for them.  What should have been a place for young artists to grow was hijacked by people who wanted lots of money, who then threw it away because there wasn’t enough money in it for them.  The content itself was so much like regular television that people went, why should I watch this when I have TV at a higher quality level.  (In those days, watching on the internet meant you were watching a 2 inch screen that was often jumpy and couldn’t play more than five minutes at a time.)

The second internet revolution has, of course, taken hold.  High internet speeds are given the credit, and to be fair, that is a big part of it.  No one has to watch tiny screens and there’s no time limit.  But the main credit should go to Youtube, who doesn’t believe in the red velvet rope.  Companies like iFilm screwed it up for themselves by trying to follow the studio and film festival models and being exclusionary.  Everything had to be of a certain “quality level” or have celebrities involved.  This destroys innovation and experimentation, but more importantly, it takes the power away from the audience, who should really be deciding what plays and what does not.

This has given rise to some of the greatest entertainment ever to be put on screens.  Individuals from all over the world can now innovate, and others can decide for themselves what they want to watch rather than having some stuffy executive or pertinacious film student deciding what’s “worthy.”  The concept of capitalism itself was based on the idea of competition, and that has made entertainment on the web better.

It has also made other mediums better.  The rise in quality of television shows for programs like Breaking Bad, The Walking Dead, and Game of Thrones is due in many ways to this rise in quality in internet entertainment.  Why?  Because the competition is rising, and television executives are realizing they now have to compete with the rest of the world, not just their fellow executives.

What this means to writers is that many more opportunities are arising for work on projects that are more artistic, experimental, and innovative.  Whether searching for work with other companies, or to create product independently, the world of visual entertainment has grown, and in favor of trying new things.  It also aids book authors as video content is always a good way to get people to look at their books.  And with programs like Hit Record, people are sharing content that can then be used to support other artists in every medium, including books, blogs, etc.

So meeting Wil Wheaton yesterday was the equivalent to me of meeting a favorite author.  His show Tabletop, though it’s about gaming and not about writing, is helping every artistic community through being innovative, independent, experimental, and supportive.  Wheaton himself would be considered a “has been” by Hollywood, but rather than letting that get him down and believing what the system says, he took his interest, something most people would consider to be unimportant, and brought it to the forefront.  He shows through his passion and sheer joy how gaming brings people together.  He shows off games by both mainstream and small companies.  Most importantly, rather than being aloof from his community, he becomes a part of it through social media.  He helps others be seen through his Tumblr page, he vlogs to people that catch his attention online, and he treats people he meets on the same level as anyone rather than acting like he’s somehow above them.  Yes, he has celebrity status, but he’s using it to shine spotlights on subjects and people around him rather than demanding million dollar paychecks and entitlements the way most people do.

The new celebrities of the internet are mostly that way.  Some of them were celebrities in film and television, such as George Takei and Joseph Gorden Levitt, but I have to give them credit as well, as they could have just stayed in the more established film and television world, but they have been willing to make less money on the internet in order to be part of this true independent revolution.  As for non-celebrities, you have people like the Green brothers and Jay and Mike at Red Letter Media who are all from the Midwest and would be overlooked in traditional medias, and you have the fantastic comedians at Screen Junkies, How it Should Have Ended, and College Humor.  And if you want gaming, there are channels that have opened up that are very much like sports, such as Tabletop, The Prince of Macedon, World of Tanks, and my own Command Combat Battle Reports.

This democratization has opened up more venues than ever for writers and artists of every genre.  I’m at last satisfied with the independent television and movie scene.

Here are a few of the shows I recommend:

https://www.youtube.com/user/geekandsundry