After publishing Pro Bono a number of years ago, I have learned quite a number of stories about incidents surrounding the murders, and the case itself. I collected all of them and added them to the book, then published this new version in hard cover.
This hard cover version is available on Lulu for $25 at: http://www.lulu.com/shop/jeff-mcarthu...
Tuesday, November 8, 2016
Monday, November 7, 2016
Had an Interesting Interview with Reels
I had a nice interview regarding my book Pro Bono with the Reels channel. They're doing a series of episodes around movies that were based on true stories. The idea in this episode is that Natural Born Killers was based on the story of Starkweather and Fugate.
This is actually not true, as even Oliver Stone said it was inspired by Bonnie and Clyde, and the tale has no similarities whatsoever to the Starkweather-Fugate story. However, we were able to essentially debunk the myth, and tell some true information about the story.
The show is called The Shocking Truth, and it will be on in the spring.
This is actually not true, as even Oliver Stone said it was inspired by Bonnie and Clyde, and the tale has no similarities whatsoever to the Starkweather-Fugate story. However, we were able to essentially debunk the myth, and tell some true information about the story.
The show is called The Shocking Truth, and it will be on in the spring.
Sunday, November 6, 2016
My Book Tour Through The Midwest
I recently returned from a book tour I took through the several states in the center of the country. They included Nebraska, Iowa, Kansas, Missouri, and Texas.
I was mostly speaking at Rotaries, which I've quickly learned are the best resource for public speaking about my nonfiction books. Rotaries need new speakers every week, so they are often happy to hear from an author who has an interesting story to tell. It's as helpful for them as it is helpful for the author.
I knew I would be traveling to Nebraska for a few weeks, so I wanted to fill my schedule as much as possible to make the trip worthwhile. I also knew I would be going down to Texas for the Alamo City Comic Convention, so I filled as much time there as possible.
I started by going to the Rotary Club Finder: https://www.rotary.org/en/search/club-finder
Here you can enter the region and get a list of all the rotaries in that area. I got their email addresses and wrote to all of them, telling them a quick summary of Two Gun Hart, including the website for the book, and saying when I'll be in the area and that I would like to speak at their club. I also found the local libraries and made a similar offer. From the responses I was able to make a schedule of appearances. There would be 12 in all, 10 rotaries and 2 libraries, plus the convention, which is a different subject because that involves my book series Relic Worlds.
I stayed with my family in Lincoln, Nebraska and set out from there to speak in Omaha, Iowa, Kansas, and Missouri. At these events a little under half of the people bought books, and there were usually about 15 to 20 attendees, so it was decent amounts of money. In Texas it was hit or miss, either only one or two bought, or almost everyone bought. Ultimately it turned out to be about the same number.
Basically, the conclusion I came to was that the sales were decent, but when you took into account the amount of time I spent arranging the talks, the flights, the car rental and gas, at best I came close to breaking even. These were really talks to spread the word. The problem with this is it's hard to measure it's effectiveness. Worst of all, people forget things you told them after they leave.
So the best suggestion came from my uncle in Texas who said I should have flyers or bookmarks made up that say the name of this book and other books. The people who bought books get to see there are others to purchase online, and those who did not buy get flyers to take with them to remind them where to buy them later.
I wish I had thought of that before, but I'll have it in mind now in future events.
I was mostly speaking at Rotaries, which I've quickly learned are the best resource for public speaking about my nonfiction books. Rotaries need new speakers every week, so they are often happy to hear from an author who has an interesting story to tell. It's as helpful for them as it is helpful for the author.
I knew I would be traveling to Nebraska for a few weeks, so I wanted to fill my schedule as much as possible to make the trip worthwhile. I also knew I would be going down to Texas for the Alamo City Comic Convention, so I filled as much time there as possible.
I started by going to the Rotary Club Finder: https://www.rotary.org/en/search/club-finder
Here you can enter the region and get a list of all the rotaries in that area. I got their email addresses and wrote to all of them, telling them a quick summary of Two Gun Hart, including the website for the book, and saying when I'll be in the area and that I would like to speak at their club. I also found the local libraries and made a similar offer. From the responses I was able to make a schedule of appearances. There would be 12 in all, 10 rotaries and 2 libraries, plus the convention, which is a different subject because that involves my book series Relic Worlds.
I stayed with my family in Lincoln, Nebraska and set out from there to speak in Omaha, Iowa, Kansas, and Missouri. At these events a little under half of the people bought books, and there were usually about 15 to 20 attendees, so it was decent amounts of money. In Texas it was hit or miss, either only one or two bought, or almost everyone bought. Ultimately it turned out to be about the same number.
Basically, the conclusion I came to was that the sales were decent, but when you took into account the amount of time I spent arranging the talks, the flights, the car rental and gas, at best I came close to breaking even. These were really talks to spread the word. The problem with this is it's hard to measure it's effectiveness. Worst of all, people forget things you told them after they leave.
So the best suggestion came from my uncle in Texas who said I should have flyers or bookmarks made up that say the name of this book and other books. The people who bought books get to see there are others to purchase online, and those who did not buy get flyers to take with them to remind them where to buy them later.
I wish I had thought of that before, but I'll have it in mind now in future events.
Sunday, August 28, 2016
My Book Reviews
When
I tried to get my books reviewed, some of the first places I thought to go to
were blogs and Youtube book reviewers.
They were the logical choice considering the fact that they were
themselves self-publishers. I was
shocked and amazed at how many of them refused to review self-published
materials, never recognizing their own hypocrisy.
I’m a believer in putting your
effort where your mouth is, so I did a Youtube book review show where I only
reviewed independently published books.
It was the only one on Youtube of its kind. I was proud of it, and I mixed it with doing
my weight loss as I would read the books while out on walks, and check my
weight after doing the reviews.
What was frustrating was that the
views never got to be very high. I would
get the people whose books I was reviewing, some of their readers and friends,
then I would get completely different viewers the next week. None of them were watching other reviews,
supporting other independently published authors.
It’s frustrating seeing this sort of
every man and woman for him and her self.
This whole industry is very difficult already, and we’re competing with
large corporations that have many employees.
The best thing we can do for ourselves is to band together and help each
other.
I want to go back to reviewing these
books. I feel strongly about independent
publishing, and I want to help others as I want to be helped as well. But I’ve been taking a break from it for now
as the effort was going to waste while I was ignoring my own projects. Hopefully that will change.Here's one of the reviews from this show: https://www.youtube.com/watch?v=Dp4ROKwBtVY
Sunday, August 21, 2016
Netflix and the Future of Entertainment
It’s
been said for a long time now that Netflix is leading the future of
entertainment. Many people saw it years
ago when they were taking business from Blockbuster Entertainment and other
video stores, and amazingly, they did nothing to counter this. Despite the fact that Netflix’s model was
working better than theirs, the heads of Blockbuster ignored these obvious
signs and continued their business as usual rather than adjusting and
evolving. This was due in large part to
ego. I know because I’ve talked with
someone who served as president for a time at Blockbuster and left because he
saw that no one would even consider changing tactics. When he pointed this out, they ignored him
and kept their ship driving right into the iceberg.
Now Netflix is continuing their
innovative efforts in competition with regular television. What’s amazing is how little these networks
have learned from Blockbuster. They
believe that, because they are the big guys on the block today, they are
destined to always be that way.
To be sure, they are adjusting in
some ways, but usually they are the wrong ways.
CBS is beginning a subscription service that will be led by their Star
Trek series in which viewers will have to pay to watch. However, viewers aren’t going to see any
reason to pay for this television service that they are getting for free with
other shows unless CBS offers something more.
Of course, they’ll have some shows that they know audiences will want on
the subscription channel, but that’s not enough.
What’s caused viewers to turn to
Netflix is that their programming has been more interesting and innovative than
network TV. Rather than following tired
formulas and using outdated methods, they have created new ways of telling
stories both artistically and technically.
Artistically, they tell stories in
unique fashions and they make sure the entire show is aired so the whole story
is there. What I mean by unique fashions
is that they do not limit their writers to specific formula patterns. On television, you have five acts broken up
by commercials. Every show has to follow
those acts, and executives will require that producers break down their scripts
into these acts to prove it. Netflix
makes no such requirement, and thus the stories are more interesting.
This is further improved by the fact that
they don’t make pilots, see how they go, then just a few episodes and see how
they go before making entire seasons.
Networks do this all the time, and it makes for very broken up
storylines. Worst yet, they will cancel
a show if it’s not doing well. This may
save them money in the short run, but it destroys trust in the viewer, who
decides not to watch the next show.
Many people will not waste their time on a
network show because that show may be cancelled next week. There’s no point in wasting the time getting
invested. But with Netflix, you know
that if you try a show out, they’ll at least get through a season, so there
will be some semblance of a story.
Basically, think of it like this. If you buy a book, would you rather get one
that the author is still writing and might not finish, or would you rather get
one that you know has been finished, and may even go on to more books?
Unless the networks
wake up, they’re going to go the way of Blockbuster.
Sunday, August 14, 2016
Using a Mailing List
As
time has gone by I’ve been hearing more and more how important a mailing list
is. I disregarded its importance as I
felt that emailing people was more of a nuisance to both me and the people I’d
be emailing, and I didn’t see how it would be effective. I figured that if someone was interested
enough to give me their email address, they were already looking at my work,
and they didn’t need me to bother them with reminders about it.
However, I heard about mailing lists
being important enough that I finally looked into it, and I began to see the
value. First, it’s really only helpful
if you are regularly coming out with material.
So if you have a mailing list for you as a writer, then you need to
regularly be coming out with books or other written materials. If the mailing list is about a series, then
you need to be regularly coming out with written materials for that series.
The problem with the former is that
your list will likely be made up of people who became interested in your
writing because of one specific book. So
you’re going to need to stay within that genre in order to keep their
interest. If your newsletters become
about a subject they’re not interested in, they’ll unsubscribe, even if you’re
just taking a short break from that type of writing.
So it’s best to focus on a
particular series and collect names and addresses of people who want to follow
along. For me, that’s been Relic Worlds
because not only is it a series, but it’s a series with a lot of ancillary
elements. There are short stories,
games, a comic book, etc. There’s
something to talk about every month, and more material to release, so the
newsletters have material and aren’t just empty ramblings of me saying, “something
more is coming sometime, I promise!”
I’ve found that there are two
methods to build the mailing list that work the best, conventions and
giveaways. At conventions, you’re trying
to get people to look at your books, but they’re not sure whether they’re ready
to commit to buying or even reading them yet.
So a mailing list is a good way to get a taste without a
commitment. It’s also a way to remind
them that you exist, as opposed to a flyer which will likely get thrown away
once they’re home, no matter how interested they are in your product.
Giveaways are the way to do it from
home. You need to get a prize people
will want, and it’s a great idea to get something that matches what you’re
selling. In my case, I gave away a
Kindle Fire and I included one of the Relic Worlds books. That way they not only get a prize they want,
they also have a means for which to read my books, and a starter. But the real prize for me was all the email
addresses that people had to give in order to enter the raffle.
Now, I don’t want lists of people
who won’t be interested in my series.
That wastes everyone’s time. Even
once I have their email addresses, when I send them a newsletter, they’ll just
unsubscribe because they’re not interested.
Or, worse yet, they won’t unsubscribe and I’ll continue to send them
information that’s useless to both them and me.
So I promote it on sites where I think my readership will go, and I make
sure keywords are always included that have scifi, adventure, books, etc.
I use Shortstack as my sweepstakes
provider. They help collect all the
email addresses, and provide a means by which to make a good looking
sweepstakes page. I might switch this
out as I wasn’t extremely impressed with their service considering the
cost. But it wasn’t bad. They’re at: http://www.shortstack.com/
I use Mailchimp to create and send
the newsletters. They’ve been
fantastic. They’re at: http://mailchimp.com/
Sunday, August 7, 2016
Book Talks
I’ll
be traveling around the Midwest and Texas in October giving talks at Rotary
clubs and libraries. I’d put the tour
list here, but it’s long, and would take a lot of time for me to look up all
the addresses and/or contact information, and no one goes to these events based
on this blog, so I’m not going to take the time to list them now.
Instead I’m going to talk about why
I go to these clubs and give these talks.
I have found Rotary clubs, and groups like it, to be an invaluable tool
for independent non-fiction promotion.
The organizers of these clubs need to find a new speaker every single
week, and they’re trying to find subjects interesting enough to keep their
members coming back. Having a true story
to tell is a blessing for them, as long as it’s an interesting one. While I struggled for years to get bookstores
to let me do signings, clubs that need regular speakers have been more than willing
to accept me. And some have even contacted
me and asked me to come to their organization to speak, saving me the time of
having to go to them.
I haven’t been charging for these
events as I want to get into as many as possible. I make money by selling copies of my books at
them, and sometimes I make a couple hundred at a single event. It’s not enough to live on as the work
required to set it up and to travel there winds up being inefficient. However, it spreads the word of the book and
of me as an author. I often make friends
and contacts who later join me on social media, and they see what else I’m
writing. Like most things in independent
publishing, it pays to have a number of titles so each individual event doesn’t
wind up being your only trick.
I approach these organizations by
looking them up, finding out who would be in charge of booking guests, (if I
can’t find that, I just find the president or whomever is in charge,) and I
email them. I tell them what the story
is and I provide a link to the web page where the information is listed. I also mention anything that is sellable
about the story. (In the case of Two Gun
Hart I tell them that it’s the first time a lot of information about the
Capones has ever been revealed.) And I
make sure to mention anything that’s relevant to their area, as sometimes clubs
prefer stories with a local connection.
(Oddly enough, most of the ones in Iowa wouldn’t have me as a guest
unless I could show a local connection.)
This doesn’t work so well when it
comes to fiction because typically the best you can do is say you have a story
you’ve made up. The problem is, everyone
has a story they’ve made up, and they don’t know why yours is extra
special. And besides, people at events
like these usually want to hear about something that’s true. They’re fascinated by true stories and will
gladly invite authors with great true stories to their events.
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